Sony FX6 Body Only Full-Frame Cinema Camera
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Sony

Sony FX6 Body Only Full-Frame Cinema Camera

Rp 92.999.000 Warranty: Sony Indonesia

Specification :

  • 4K Full-Frame 10.2MP CMOS Exmor R Sensor
  • DCI 4K60p | UHD 4K120 | 1080p240
  • 15+ Stops of Dynamic Range in S-Log 3 EI
  • Compact Form Weighs Just <2 lb
  • Phase Detection AF/Face Tracking/Eye AF
  • Base 800-12,800 ISO / 320-409,600 Max
  • S-Cinetone, S-Log3, HLG Modes
  • 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
  • Dual CFexpress Type A/SDXC Card Slots




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Included:
  • 1x Sony FX6 Body Only
  • 1x Handle Unit
  • 1x 3.5" LCD Monitor
  • 1x Grip Remote Control
  • 1x Sony Battery Charger
  • 1x Sony Lithium-Ion Battery Pack
  • 1x AC Adapter
  • 1x Power Cord
  • 1x USB Type-C Cable
  • 1x LCD Hood
  • 1x Cold Shoe Kit
  • 1x Lens Mount Cap
  • 1x Handle Connector Cap
  • 1x Manual Book
  • 1x Kartu Garansi Resmi
Disclaimer :  Pabrik dapat sewaktu-waktu mengubah kelengkapan ini, dan mungkin saja menyebabkan perbedaan antara yg tercantum di atas dengan content yg Anda terima sewaktu Anda membelinya.
Visual stories with extraordinary freedom
Cinema Line
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Impressive cinematic expression
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Transform your shooting creativity
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Operability and expandability for professionals
Impressive cinematic expression
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Capture the impossible with expanded ISO sensitivity

Capture usable images in near total darkness with an impressive ISO expanded range up to 409600. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities.

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Stunning bokeh and full-frame creativity

Realize beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.

Cinematic color science with S-Cinetone™

S-Cinetone color, developed for Sony's acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today's content creators with rich color and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production.

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Large pixels deliver high sensitivity and low noise

The full-frame, back-illuminated, 10.2-megapixel Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops deliver superb image quality with wide sensitivity and reduced noise.

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Powerful BIONZ XRTM image processor 

The BIONZ XR image processing engine matches the sensor's high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high-quality images faster and dramatically improves camera interface responsiveness.

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Impressive dynamic range for limitless expression

At its base sensitivity of ISO 800 the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 12800 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops of dynamic range—beyond the perception of even the human eye in many conditions—allowing for unprecedented creative freedom in color grading and post.

Transform your shooting creativity
Fast Hybrid AF for accuracy and tenacity

The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (627-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD).

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Real-time Eye AF and Face Detection supported

Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realizes pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.

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Powerful focus control for solo shooters

With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing.

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Lens-ring AF subject selection

When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring.

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Autofocus area/position

For autofocus, you can set the target area among Flexible Spot, Zone, Wide and change the position of the target area quickly during shooting by simply touching the LCD monitor.

4K 120fps with every frame in focus

High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output).

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Autofocus with Sony E-mount lenses

Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors.

Built-in electronic Variable ND Filter

The FX6 features Sony's unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4 ND to 1/128 ND linearly, or set to auto. Ideal in changeable environments, there's no need to change filters as lighting conditions change or to maintain your depth of field.

Operability and expandability for professionals
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Lightweight, modular and robust

Despite its amazingly light 1.96-lb (0.89-kg) body, the magnesium-alloy FX6 is more than tough enough for the rigors of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.

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Grab and shoot mobility

Ideal for low-angle shooting, the smart handle is part of the FX6's modular design. It's easy to reconfigure for any application, including mounting in a gimbal, drone or underwater housing.

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Magnesium body and frame for high durability with light weight

To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximize mobility.

Architecture to prevent thermal shut down

The custom ventilation system and chassis design help to prevent the thermal shut down of shooting at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.

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10-bit 4:2:2 recording

Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing.

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All-Intra encoding available

As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.
[1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures

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16-bit RAW SDI output 

For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096 x 2160 or 3840 x 2160 data from the image sensor with a choice of 59.94/50/29.97/25/24/23.98 frame rates.

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Shooting modes that match creator workflows

The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly exposed images for post production.

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Scene File function allows easy look changes on-site

Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production.

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Remarkable smart grip and smart handle

Sony's ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.

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Professional connectivity

A wide range of professional interfaces is available including 12G-SDI and HDMI outputs, a remote interface, TC connectors for multi-camera sync and SuperSpeed USB 5 Gbps (USB 3.2) to support fluid data workflows.

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Multi-Interface (MI) Shoe

Sony's Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including wireless microphone systems such as the UWP-D21 or UWP-D22.

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Support for four-channel audio input and recording

Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.

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Dual XLR inputs and enhanced audio capability

The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.

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High-definition 2.76 million-dot flexible LCD panel

The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.

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Quick menu control with touch operation

The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels.

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Dual CFexpress Type A-compatible media slots

Dual media slots support CFexpress Type A cards, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported.

Networked for high mobility

Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either One-touch NFC or manual pairing.

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Metadata facilitates editing in Catalyst 

The FX6 records three types of metadata: image stabilization, clip flag and camera rotation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare software.   
[1] Shoot  [2] Edit

2 Models

Size & Weight

Power

Operation

Power

Recording Format (Video)

Recording Format (Audio)

Recording Frame Rate

Recording/ Playback Time

Lens

Camera Section

Slow & Quick Motion

White Balance

Exposure

Gamma

Latitude

Interface

Monitoring

Built-in Microphone

Media

Wi-Fi/NFC

Supplied Accessories

WEIGHT (MAIN UNIT ONLY)

DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES)

DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS)

POWER REQUIREMENTS

POWER CONSUMPTION

OPERATING TEMPERATURE

STORAGE TEMPERATURE

BATTERY OPERATING TIME

XAVC INTRA

XAVC LONG

RECORDING FORMAT (AUDIO)

XAVC INTRA

XAVC LONG

XAVC INTRA

XAVC LONG

PROXY AUDIO

PROXY VIDEO

LENS MOUNT

SENSOR TYPE

PIXELS

BUILT-IN OPTICAL FILTERS

SENSITIVITY

SHUTTER SPEED

XAVC-I

XAVC-I/L

WHITE-BALANCE MODES

GAIN CONTROL

GAMMA CURVE

LATITUDE

TC INPUT/TC OUTPUT

AUDIO INPUT

SDI OUTPUT

USB

HEADPHONE OUTPUT

SPEAKER OUTPUT

DC INPUT

REMOTE

HDMI OUTPUT

GRIP

LCD

BUILT-IN MICROPHONE

MEDIA TYPE

SUPPORTED FORMAT

FREQUENCY BAND

SECURITY

NFC

SUPPLIED ACCESSORIES

Body (5.0 GHz and 2.4 GHz) + 24–105 mm zoom lens
ILME-FX6VK
Body (5.0 GHz and 2.4 GHz) + 24–105 mm zoom lens 
ILME-FX6VK
  • Approx. 1 lb 15 oz (890 g)
  • Approx. 5 lb 11 oz (2.59 kg) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
  • 4.49 x 4.57 x 6.02 " (114 x 116 x 153 mm) (body without protrusions)
  • DC 19.5 V
  • Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
  • 32 °F to 104 °F (0 °C to 40 °C)
  • –4 °F to +140 °F (–20 °C to +60 °C)
  • Approx. 105 min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
  • Approx. 215 min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
  • XAVC-I DCI4K 23.98p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264
  • XAVC-I DCI4K 24p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264
  • XAVC-I DCI4K 25p mode: VBR, MAX bitrate 250 Mbps, MPEG-4 AVC/H.264
  • XAVC-I DCI4K 29.97p mode: VBR, MAX bitrate 300 Mbps, MPEG-4 AVC/H.264
  • XAVC-I DCI4K 50p mode: VBR, MAX bitrate 500 Mbps, MPEG-4 AVC/H.264
  • XAVC-I DCI4K 59.94p mode: VBR, MAX bitrate 600 Mbps, MPEG-4 AVC/H.264
  • XAVC-I HD 23.98p mode: CBG, MAX bitrate 89 Mbps, MPEG-4 AVC/H.264
  • XAVC-I HD 25p mode: CBG, MAX bitrate 112 Mbps, MPEG-4 AVC/H.264
  • XAVC-I HD 29.97p mode: CBG, MAX bitrate 111 Mbps, MPEG-4 AVC/H.264
  • XAVC-I HD 50p mode: CBG, MAX bitrate 223 Mbps, MPEG-4 AVC/H.264
  • XAVC-I HD 59.94p mode: CBG, MAX bitrate 222 Mbps, MPEG-4 AVC/H.264
  • XAVC-I QFHD 23.98p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264
  • XAVC-I QFHD 25p mode: VBR, MAX bitrate 250 Mbps, MPEG-4 AVC/H.264
  • XAVC-I QFHD 29.97p mode: VBR, MAX bitrate 300 Mbps, MPEG-4 AVC/H.264
  • XAVC-I QFHD 50p mode: VBR, MAX bitrate 500 Mbps, MPEG-4 AVC/H.264
  • XAVC-I QFHD 59.94p mode: VBR, MAX bitrate 600 Mbps, MPEG-4 AVC/H.264
  • XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bitrate 35 Mbps, MPEG-4 H.264/AVC
  • XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bitrate 50 Mbps, MPEG-4 H.264/AVC
  • XAVC-L QFHD 29.97p/25p/23.98p mode: VBR, MAX bitrate 100 Mbps, MPEG-4 H.264/AVC
  • XAVC-L QFHD 59.94p/50p mode: VBR, MAX bitrate 150 Mbps, MPEG-4 H.264/AVC
  • LPCM 24 bits, 48 kHz, 4 channels
  • XAVC-I DCI4K mode: 4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P
  • XAVC-I HD mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-L HD 35 mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB): Approx. 36 minutes
  • XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes When using CEA-G80T (80 GB): Approx. 35 minutes
  • XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): Approx. 60 minutes When using CEA-G80T (80 GB): Approx. 29 minutes
  • XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB): Approx. 36 minutes When using CEA-G80T (80 GB): Approx. 17 minutes
  • XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB): Approx. 30 minutes When using CEA-G80T (80 GB): Approx. 15 minutes
  • XAVC-I DCI4K 24p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB): Approx. 36 minutes
  • XAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes When using CEA-G80T (80 GB): Approx. 91 minutes
  • XAVC-I HD 25p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB): Approx. 74 minutes
  • XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB): Approx. 74 minutes
  • XAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB): Approx. 38 minutes
  • XAVC-I HD 59.94p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB): Approx. 38 minutes
  • XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 430 minutes When using CEA-G80T (80 GB): Approx. 210 minutes
  • XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 320 minutes When using CEA-G80T (80 GB): Approx. 155 minutes
  • XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB): Approx. 170 minutes When using CEA-G80T (80 GB): Approx. 86 minutes
  • XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB): Approx. 57 minutes
  • XAVC Proxy: AAC-LC, 128 kbps, 2 channels
  • XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps
  • E-mount
  • 35 mm full-frame, single-chip CMOS image sensor
  • Approx. 12.9 megapixels (total), Approx. 10.2 megapixels (effective)
  • Clear, linear variable ND (1/4ND to 1/128ND)
  • ISO 800/12800 (Cine EI mode, D55 Light source)
  • 64F to 1/8000 s
  • 1 to 60 frames (59.94/50/29.97/25/24/23.98)
  • 4096 x 2160
  • 1920 x 1080
  • 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98)
  • 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)
  • 3840 x 2160
  • Preset, Memory A, Memory B (2000K–15000K)/ATW
  • –3 to 30 dB (every 1 dB), AGC
  • SDR mode: S-Cinetone, Standard, Still, ITU709, HDR mode: HLG_Live, HLG_Natural
  • 15+ stop
  • BNC, TC IN/OUT Switchable
  • Mic Reference: –30 to –80 dBu
  • XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
  • SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI (Level A/B)
  • USB Type-C™ (x1), Multi/Micro-B (x1)
  • Stereo mini jack (x1)
  • –16 dBu 16 Ω
  • Monaural
  • DC jack
  • Stereo mini-minijack (Φ 0.01 ")
  • Type A (x1)
  • Minijack (Φ 0.14 " / 4-pin)
  • 3.46 " (3.5 type)
  • Approx. 2.76M dots
  • Omnidirectional monaural electret condenser microphone (body) (x1)
  • Stereo electret condenser microphone (handle) (x1)
  • CF express Type A / SD card (x2)
  • Slot B can be used for saving configuration data.
  • IEEE 802.11 a/b/g/n/ac
  • 2.4 GHz bandwidth
  • 5.2/5.3/5.6/5.8 GHz bandwidth
  • WEP/WPA-PSK/WPA2-PSK
  • NFC Forum Type 3 Tag-compliant
  • AC Adapter (1)
  • Battery charger (1)
  • Battery pack (1)
  • Before Using This Unit (1)
  • Cold shoe kit (1)
  • Grip remote control (1)
  • Handle (1)
  • Handle connector cap (1)
  • LCD monitor (1)
  • Lens Case (1)
  • Lens mount cap (1)
  • Liquid Crystal Display hood (1)
  • Power cord (1)
  • SEL24105G (1)
  • USB-C cable (1)
  • Warranty booklet (1)
Body only (5.0 GHz and 2.4 GHz)
ILME-FX6V
Body only (5.0 GHz and 2.4 GHz) 
ILME-FX6V
  • AC Adapter (1)
  • Battery charger (1)
  • Battery pack (1)
  • Before Using This Unit (1)
  • Cold shoe kit (1)
  • Grip remote control (1)
  • Handle (1)
  • Handle connector cap (1)
  • LCD monitor (1)
  • Lens mount cap (1)
  • Liquid Crystal Display hood (1)
  • Power cord (1)
  • USB-C cable (1)
  • Warranty booklet (1)

FEATURES

Picture of Cinema Line FX6 Camera

Image sensor with blazing fast readout speed

The back-illuminated full-frame Exmor RTM CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data-readout speed along with high sensitivity and wide dynamic range. An advanced color-filter array boosts color-reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

Picture of Cinema Line FX6 Camera

High-performance image-processing engine

The BIONZ XRTM image-processing engine boasts class-leading speed performance, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.

Picture of Cinema Line FX6 Camera

High sensitivity, wide dynamic range

The full-frame 10.2-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimizing the output signal from the sensor. Capture usable images in near-total darkness with an impressive ISO-expanded range up to 409600. The dynamic range is an impressively wide 15+ stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. 

Picture of Cinema Line FX6 Camera

4K High Frame Rate 120fps recording

Full-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to five times slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting, for impressive creative scope.

Picture of Cinema Line FX6 Camera

Acclaimed cinematic color with S-Cinetone™

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities. 

Picture of Cinema Line FX6 Camera

Preset and User 3D LUT compatibility with Scene File

The Scene File function provides powerful color interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks, or for specific monitoring or color-space transforms.

Picture of Cinema Line FX6 Camera

10-bit HLG picture profile

A HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (color grading required)[2] Instant high-quality image (color grading not required) 

Picture of Cinema Line FX6 Camera

S-Log3 for better reproduction of gradations

S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15+ stops. Two color-gamut settings (S-Gamut3 and S-Gamut3.Cine) make it easier to match the colors of footage shot with Sony's Cinema Line Cameras. Because the colors match, color grading is easier in post-production editing, making it more convenient when used along with other pro cameras.

Picture of Cinema Line FX6 Camera

Recording movies with 10-bit depth and 4:2:2 color sampling

The FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 color sampling with either Long-GOP or All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

Picture of Cinema Line FX6 Camera

A choice of battery types for different applications

The FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70, BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make the most of the camera's mobility when it is to be used hand-held. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows the charge level to be checked even when the battery is not connected to the camera.

Picture of Cinema Line FX6 Camera

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximal flexibility and playback performance during post-production. [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures

Picture of Cinema Line FX6 Camera

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is 4096 x 2160 or 3840 x 2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates.

Picture of Cinema Line FX6 Camera

Proxy recording for more efficient editing workflow

When shooting movies, low-bitrate HD proxy files can be recorded simultaneously with higher-bitrate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980 x 1080 9 Mbps MP4 wrapper).

Picture of Cinema Line FX6 Camera

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customizable button. 

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Real-time Eye AF and Face Detection AF

For reliable focusing on people, especially in unpredictable shooting environments such as news-gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image-processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured, allowing you to concentrate fully on shot composition.

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Reliable durability and weather-resistance in tough situations

In response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.

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Lens-ring AF subject selection

When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked. 

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Sony's powerful electronic Variable ND Filter built in

The revolutionary electronic Variable ND Filter controls the opacity of the neutral filter seamlessly from 1/4 to 1/128ND to achieve unmatched creative control and fluidity. Unique to Sony, it can manually or automatically adjust exposure without affecting the depth of field or shutter angle, letting you achieve perfect exposure even moving between different environments such as from indoors to out.

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Magnesium alloy body achieves high durability with light weight

To perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimal weight in order to maximize mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses. 

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Innovative heat dissipation to prevent thermal shutdown

To ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates, the FX6 features an innovative heat-dissipation structure. A complete redesign of the chassis structure assessed the placement of internal heatsinks and the entire airflow structure, from louvers to circuit-board layout. When required, a silent fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust- and moisture-resistance.

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High-definition 2.76-million-dot flexible Liquid Crystal Display touch panel

The 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal, and is adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch-panel support, it also provides intuitive control for many camera settings, even where camera body controls are less accessible.

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Smart grip

The FX6's ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customizable buttons, plus essential zoom and start/stop control, and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production.

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Smart handle

Attachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example, in low-angle shooting. It's also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Quarter-inch screw holes for accessory attachment are provided at seven locations on the handle for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself—ready to seal the body connectors if the handle is removed for rigging.

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Professional connectivity

The FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN / TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5 Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.

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Dual XLR inputs and enhanced audio capability

The handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP-series wireless microphone may be connected via the MI Shoe. 

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Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bitrates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.

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Data communications to support on-site workflow

Network-communications features support FTP transfer for movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5 GHz / 2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB 5 Gbps (USB 3.2).

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Metadata to facilitate editing with Catalyst

Sony's Catalyst Browse and Prepare software are ideal production partners for the FX6. The FX6 records three types of metadata: image stabilization, clip flag and camera rotation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare software. [1] Shoot  [2] Edit


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