Fujifilm

Home
Camera
Fujifilm
Mirrorless System Cameras

Fujifilm XT20 kit XC16-50mm f/3.5-5.6 OIS II Black

~~Rp 14.499.000~~ Rp 10.999.000 Warranty: Fujifilm Indonesia

Promo :

Promo Fujifilm Rp. 3.500.000 +

Periode :
16 - 31 Oktober 2019

Specification :

24.3MP APS-C X-Trans CMOS III Sensor
X-Processor Pro Image Processor
2.36m-Dot Electronic Viewfinder
3.0" 1.04m-Dot Tilting Touchscreen LCD
UHD 4K Video Recording at 30p
Built-In Wi-Fi
Extended ISO 51200, Shooting to 14 fps
91-Point AF with Custom AF-C Settings
Film Simulation for Photos and Videos
Fujinon XC 16-50mm f/3.5-5.6 OIS II Lens

Ingin cicilan 0% ? Silahkan klik :

Blending a familiar form factor with a heightened feature-set, the black X-T20 from Fujifilm is a sleek mirrorless camera designed for multimedia shooters. Utilizing a 24.3MP APS-C X-Trans CMOS III sensor and X-Processor Pro image processor, high-resolution stills can be recorded with notable sharpness and clarity due to the sensor's organic layout and omission of an optical low-pass filter. The sensor and processor combination also avails an extended sensitivity range to ISO 51200, a 14 fps continuous shooting rate when working with the electronic shutter, and the ability to record UHD 4K or Full HD 1080p video. When working with moving subjects, continuous autofocus performance has been optimized for improved moving subject tracking and overall accuracy, and Advanced SR Auto mode can also be used for fully automated shooting with intelligent scene recognition. Additionally, the retro-inspired camera body design incorporates a tilting 3.0" 1.04m-dot touchscreen LCD as well as a 2.36m-dot electronic viewfinder, and physical dials are available for quickly and intuitively adjusting exposure and shooting settings.

Included with the X-T20 is the Fujinon XC 16-50mm f/3.5-5.6 OIS II lens, which covers wide-angle to portrait-length perspectives with its 24-76mm equivalent focal length range. Three aspherical elements and one extra-low dispersion element reduce aberrations and distortions throughout the zoom range and an optical image stabilization system compensates for up to 3.5 stops of camera shake to produce sharper, clearer imagery in low-light conditions.

24.3MP APS-C X-Trans CMOS III Sensor: Utilizing Fujifilm's unique, randomized pixel array, the 24.3MP APS-C X-Trans CMOS III sensor affords a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and smooth tonal transitions, while also reducing moiré and aliasing.

X-Processor Pro: Aside from benefitting the low-light performance with an expandable sensitivity range to ISO 51200, the X-Processor Pro also contributes to fast performance throughout the camera system, including a start-up time of 0.4 seconds, shutter lag time of 0.05 seconds, shooting interval time of 0.25 seconds, and a continuous shoot rate of 14 fps when working with an electronic shutter, or 8 fps with a mechanical shutter.

UHD 4K and Full HD Video: Accessible via the drive dial on the top plate, the X-T20 supports both recording in both UHD 4K/30p and Full HD 1080/60p resolutions. Film Simulation modes can be used during recording to give a distinct look to footage, and video can also be output via HDMI to an external recorder or monitor, and a mic jack is featured for working with an external microphone.

Body Design

The rear 3.0" 1.04m-dot LCD touchscreen allows for intuitive operation, focus point selection, and menu navigation, and its tilting design benefits working from high and low angles.
High-resolution 2.36m-dot electronic viewfinder allows for bright, clear eye-level monitoring with a frame rate of 54.54 fps for smooth monitoring in a range of lighting conditions.
Dedicated shutter speed, drive mode, and exposure compensation dials for direct, intuitive control over exposure and shooting settings.
The physical exposure compensation dial now features a C position to permit an expanded +/- 5 EV range when working with the control dials.
Built-in Wi-Fi allows for direct wireless sharing of files as well as remote camera control from a linked mobile device.
Built-in pop-up flash is available for additional illumination, and a hot shoe is featured for working with an optional external flash.

91-Point Autofocus System: Utilizing both contrast- and phase-detection methods, the hybrid autofocus system employs 91 total points, which can be divided into 325 total areas for a high degree of focusing accuracy in a variety of lighting conditions. Approximately 50% side-to-side and 75% top-to-bottom of the frame is covered by phase-detection points in order to provide fast AF performance to suit working with moving subjects.

When working with autofocus, you can choose either single-shot AF-S mode or continuous AF-C mode, and each can be used in conjunction with Single Point AF, Zone AF, or Wide/Tracking AF settings. Additionally, AF-C Custom Settings let you choose from five AF-C presets depending on how your subject is moving, and the AF algorithm has been optimized for improved subject tracking and overall accuracy.

Film Simulation Modes: Taking advantage of Fujifilm's vast history in traditional film-based photography, the X-T20 integrates several Film Simulation modes, which can be used for photos or videos, to mimic the look and feel of some Fujifilm's classic film types. A refined Classic Chrome mode is designed to deliver muted tones and a deep color reproduction, similar to that of a dated slide film. Pulling from their more contemporary line of transparency films, Provia offers natural-looking tones for everyday shooting, Velvia produces a more dramatic and rich tonality with deeper color saturation, and Astia gives less contrast for a softer depiction of skin tones. Mimicking their negative films, Pro Neg. Std. gives smooth image tones that are suitable for accurate color renditions, while Pro Neg. Hi produces a more dramatic feel with the ability to draw color out of a variety of lighting conditions. In addition to the colorful benefits of these Film Simulation modes, there are also monochrome modes that simulate the look of traditional yellow, green, and red black and white contrast filters, as well as an Acros mode that can also be paired with colored filter effects. A sepia mode is also available for producing an inherently nostalgic look.

Fujinon XC 16-50mm f/3.5-5.6 OIS II Lens: Included with the camera body is the Fujinon XC 16-50mm f/3.5-5.6 OIS II lens; a versatile standard zoom providing a 24-76mm equivalent focal length range to suit working in a wide variety of situations. The all-glass, 12-elements-in-10-groups construction incorporates three aspherical elements and one extra-low dispersion element to minimize chromatic aberrations throughout the zoom range for greater clarity, sharpness, and color fidelity. Additionally, this lens integrates a 3.5-stop-effective optical image stabilization system to compensate for the effects of camera shake to render sharper imagery in difficult lighting conditions. The lens also features seven rounded aperture blades to produce a smooth out-of-focus quality when using selective focus and shallow depth of field techniques.

Other Camera Features

Advanced SR Auto mode can be used for fully automatic shooting with scene recognition to permit on-the-fly shooting in a variety of settings.
Interval Timer shooting lets you record an infinite number of consecutive frames with 1 second to 24 hour intervals, and a 1 minute to 24 hour starting delay.
Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
In-camera 180° panoramas can be shot by simply panning the camera about the scene.

Imaging
Lens Mount	Fujifilm X Mount
Camera Format	APS-C (1.5x Crop Factor)
Pixels	24.3 Megapixel
Max Resolution	6000 x 4000
Aspect Ratio	3:2
Sensor Type / Size	CMOS, 23.6 x 15.6 mm
File Formats	Still Images: JPEG, RAW Movies: MOV, MPEG-4 AVC/H.264 Audio: Linear PCM (Stereo)
Bit Depth	14-Bit
Dust Reduction System	Yes
Memory Card Type	SD SDHC SDXC

AV Recording
Video Recording	Yes, NTSC/PAL
Video Format	3840 x 2160p at 23.98/24/25/29.97 fps (100 Mb/s MOV via H.264) 1920 x 1080p at 25/23.98/24/59.94/29.97/50 fps (36 Mb/s MOV via H.264) 1280 x 720p at 25/23.98/24/59.94/29.97/50 fps (18 Mb/s MOV via H.264)
Aspect Ratio	16:9
Video Clip Length	Up to 4 GB or 30 Min
Audio Recording	Built-In Mic: With Video (Stereo)

Focus Control
Focus Type	Autofocus
Focus Mode	Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
Autofocus Points	Hybrid: 91

Viewfinder/Display
Viewfinder Type	Electronic
Viewfinder Size	0.39"
Viewfinder Eye Point	17.5 mm
Viewfinder Coverage	100%
Viewfinder Magnification	Approx. 0.62x
Diopter Adjustment	-4 to +2 m
Display Screen	3" Rear Touchscreen Tilting LCD
Screen Coverage	100%

Exposure Control
ISO Sensitivity	Auto, 200-12800 (Extended Mode: 100-51200)
Shutter	Type: Mechanical Speed: 30 Second , Time Mode Type: Mechanical Speed: 4 Second in Program Mode Type: Mechanical Speed: 60 - 0 Minute in Bulb Mode Type: Electronic Speed: 1 Second , Time Mode Type: Electronic Speed: 4 Second in Program Mode Type: Electronic Speed: 1 - 1 Second in Bulb Mode Type: Electronic & Mechanical Speed: 30 Second , Time Mode Type: Electronic & Mechanical Speed: 4 Second in Program Mode Type: Electronic & Mechanical Speed: 60 - 0 Minute in Bulb Mode
Remote Control	RR-90 (Optional)
Metering Method	Average Metering, Center-Weighted Average Metering, Multiple, Spot Metering
Exposure Modes	Modes: Aperture Priority, Manual, Program, Shutter Priority Compensation: -5 EV to +5 EV (in 1/3 EV Steps)
White Balance Modes	Fluorescent (Cool White), Fluorescent (Daylight), Automatic Scene Recognition, Fluorescent (Warm White), Custom, Incandescent, Underwater, Daylight, Color Temperature, Shade
Buffer/Continuous Shooting	Up to 14 fps at 24.3 MP for up to 42 Frames in JPEG Format Up to 14 fps at 24.3 MP for up to 23 Frames in Raw Format Up to 11 fps at 24.3 MP for up to 56 Frames in JPEG Format Up to 11 fps at 24.3 MP for up to 24 Frames in Raw Format Up to 8 fps at 24.3 MP for up to 62 Frames in JPEG Format Up to 8 fps at 24.3 MP for up to 25 Frames in Raw Format Up to 5 fps at 24.3 MP for up to 68 Frames in JPEG Format Up to 5 fps at 24.3 MP for up to 28 Frames in Raw Format Up to 4 fps at 24.3 MP for up to 73 Frames in JPEG Format Up to 4 fps at 24.3 MP for up to 29 Frames in Raw Format Up to 3 fps at 24.3 MP for up to 81 Frames in JPEG Format Up to 3 fps at 24.3 MP for up to 32 Frames in Raw Format

Flash
Flash Modes	Commander Off Slow Sync First-Curtain Sync TTL Auto Second-Curtain Sync Manual
Built-in Flash	Yes
Guide No.	16.4' (5 m) ISO100
Max Sync Speed	1 / 180 Second
External Flash Connection	Hot Shoe

Performance
Start-up Time	0.4 seconds
Shutter Lag	0.05 seconds
Self Timer	10 Seconds, 2 Seconds
Interval Recording	Yes
Connectivity	2.5mm Sub-mini (2-Ring), HDMI D (Micro), USB 2.0 Micro-B, USB 2.0
Wi-Fi Capable	Yes

Power
Battery	1 x NP-W126S Rechargeable Lithium-Ion Battery Pack, 8.4 VDC, 1260 mAh
Operating/Storage Temperature	Operating 32 to 104°F (0 to 40°C) Humidity: 10 - 80%

Physical
Dimensions (W x H x D)	4.7 x 3.3 x 1.6" / 118.4 x 82.8 x 41.4 mm
Weight	13.51 oz / 383 g with battery and memory card

Kit Lens
Focal Length	16 - 50mm Comparable 35mm Focal Length: 24 - 76 mm
Aperture	Maximum: f/3.5 - 5.6 Minimum: f/22
Angle of View	83.2° - 31.7°
Minimum Focus Distance	5.91" / 15 cm
Magnification	0.2x
Maximum Reproduction Ratio	1:5
Optical Design	12 Elements in 10 Groups
Diaphragm Blades	7, Rounded
Autofocus	Yes
Image Stabilization	Yes
Filter Thread	Front: 58 mm
Dimensions (DxL)	Approx. 2.46 x 2.57" / 62.6 x 65.2 mm
Weight	6.88 oz / 195 g