Fujifilm GFX 100S II Body Only
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Fujifilm

Fujifilm GFX 100S II Body Only

Rp 89.999.000   Rp 84.999.000 Warranty: Fujifilm Indonesia
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Periode :
01 - 31 Mei 2025

Specification :

  • 102MP 43.8 x 32.9mm BSI CMOS II Sensor
  • X-Processor 5 Image Processor
  • 4K30 Video; F-Log2 Gamma
  • 5.76m-Dot OLED EVF
  • 3.2" 2.36m-Dot Tilting Touchscreen LCD
  • 5-Axis Sensor-Shift Image Stabilization
  • ISO 80-12800, up to 7 fps Shooting
  • 400MP Pixel Shift Multi-Shot
  • 8-Stop Image Stabilization
  • Included:
  • 1x FUJIFILM GFX100S II
  • 1x Li-ion battery NP-W235
  • 1x AC power adapter AC-5VJ
  • 1x Plug adapter
  • 1x USB cable
  • 1x Shoulder strap
  • 1x Body cap
  • 1x Hot shoe cover
  • 1x Memory card slot cover
  • 1x Cable protector




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MORE THAN FULL FRAME

102-megapixel large format sensor for outstanding image quality
High-speed performance and powerful image stabilization for complete control
All wrapped up in the lightest GFX System camera to date

Offering an immersive large format photography experience,
FUJIFILM GFX100S II does not simply make images,
it creates vivid memories of your favorite places in breathtaking detail.

Record Scenes With Unparalleled Image Quality

The newly-developed large format sensor and latest imaging engine boost image quality and speed compared to the original GFX100S. Add powerful image stabilization into the camera’s compact body and it makes GFX100S II the ultimate photographic tool.

Tell Your Story in Vivid Detail

©Amrit Grewal

Large Format 102MP X-Processor5

Offering more than full frame, the large format GFX 102MP CMOS II sensor measures 55mm diagonally and records subjects in 102-megapixel detail for stunning depth, texture, and tonality. This is coupled with the high-performance X-Processor 5 imaging engine, which rapidly processes and optimizes vast amounts of data from the sensor. Combined, they create an intuitive image-making experience even for those using a large format camera for the first time.

ISO 80 Standard Sensitivity

By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80.
Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.

©Noriko Kita

Improved Quality in
Every Corner

Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.

©?Matt Krumins

Film Simulation modes

©Hirotsugu Komiya

For the past 90 years, Fujifilm has worked tirelessly on color research. This vast expertise is harnessed in its unique Film Simulation modes. GFX100S II features 20 such modes, including the latest REALA ACE, providing a wide variety of creative looks.

Pixel Shift Multi-Shot

Flower Arrangement?OEUVRE
©Hirotsugu Komiya

GFX100S II is equipped with Pixel Shift Multi-Shot, which uses the in-body image stabilization system to precisely shift the sensor by 0.5 pixels for each shot while recording 16 consecutive RAW images. The images are then processed using the dedicated Pixel Shift Combiner software to generate a single 400-megapixel image.

Additionally, Real Color mode records four RAW files with a one-pixel shift between each frame. With this function, it is possible to create 102-megapixel images with suppressed false colors, using only a quarter of the time and data of the previous GFX100S model.

Other functions for Still

Other functions for Still

Renders more realistic colors on highly saturated scenes by producing deeper tones. Perfect for vibrant subjects including flowers and bright landscapes.

Grain Effect

Gives a film-like aesthetic to images by adding a natural, grainy look to the whole frame.

Smooth Skin Effect

Ideal for portraiture, this function smooths skin texture for a more flattering complexion.

HEIF Image Format Support

GFX100S II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers high image quality, but uses up to 30% less space than a JPEG.

Clarity

Lets you decide whether to depict a scene with crisp sharpness or with a soft feel. With 11 levels of control, it’s easy to fine-tune to your own personal taste and style.

White Balance Shift

For white balance, choose Auto, Custom, Color Temperature, or a series of preset options. White balance can be fine-tuned in the WB Shift feature with red (R) and blue (B) color coordinates.

Never Miss A Moment

©Russell Ord

Large format cameras often provide high image quality, but low practicality when photographing moving subjects. GFX100S II excels in both fields. It records fleeting moments in ultra high quality so you never miss the perfect image.

Updated
AF Algorithm

Thanks to an improved predictive AF algorithm, GFX100S II delivers enhanced subject tracking and improved AF accuracy in low-contrast environments, compared to its predecessor, the GFX100S. This means it can accurately track a wide range of subjects, including dynamic portraits, sports, and wildlife.

Subject Detection AF

GFX100S II’s AF algorithm boosts face and eye detection, leaving photographers the freedom to concentrate on composition and timing. GFX100S II is also equipped with subject detection AF based on deep-learning AI technology. It can detect and focus on various subjects including animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects*, and drones* using artificial intelligence.

  • * Set SUBJECT DETECTION SETTING to BIRD to detect insects and AIRPLANE to detect drones.
©Alessio Albi
©Matt Krumins
©Luo Fei

7fps High-Speed Burst

Thanks to the newly developed GFX 102MP CMOS II sensor and improved readout speed enabled by the new shutter unit, GFX100S II achieves a continuous burst speed of up to 7.0 frames-per-second*.

  • *When mechanical shutter is selected
©Zhang Ge

High-Magnification and High-Resolution EVF

Featuring a resolution of 5.76 million dots and a magnification of 0.84x, the electronic viewfinder on GFX100S II offers high visibility.

Zone Custom Setting

Setting the AF mode to Zone allows customization of the focus area according to the subject’s shape and movement.

Other functions for High Speed

AF-C Custom Setting

Number of Focus Points

Ultimate Freedom

883g×IBIS 8.0stop

GFX100S II features the highest level of 5-axis image stabilization with a benefit of up to 8.0 stops* for virtually limitless large format creativity, delivering exceptional image quality even in challenging low-light scenarios. Yet despite all the performance upgrades from the GFX100S, the weight of GFX100S II has been reduced compared to its predecessor. At 883g (1.95lbs)**, it is the lightest 102-megapixel body in Fujifilm’s GFX System.

  • * Compliant with CIPA in pitch / yaw directions when mounted with the FUJINON GF63mmF2.8 R WR lens.
  • ** With battery and memory card installed.

Our Most Powerful IBIS Up to 8.0 Stops of In-Body Image Stabilization

To maximize the benefits of the 102-megapixel large format sensor, GFX100S II is equipped with the most powerful in-body image stabilization (IBIS) yet in a GFX System camera – the 5-axis system delivers an impressive benefit of up to 8.0 stops.
This is made possible by a meticulously designed IBIS unit with precise gyroscopic and accelerometer sensors designed to correct even the slightest movements. As a result, handheld image making is more agile and effortless.

The Lightest GFX System Camera Yet

At 883g (1.95lbs), the body weight has been reduced compared to GFX100S, despite numerous feature upgrades such as the powerful in-body image stabilization system. Whether you want to photograph landscapes, portraits or travel images, it has never been easier to carry a 102-megapixel sensor for ultimate image quality.

Designed to Perform

New Leather Pattern BISHAMON-TEX™

The body of GFX100S II is coated in BISHAMON-TEX™, which is also used on the flagship GFX100 II. The three-arrow pattern, inspired by traditional Japanese design, not only enhances the look of the camera, but also serves to ensure a steady hold.

Comfortable, Steady Grip

The ergonomic grip is coated with BISHAMON-TEX™ to ensure a comfortable fit and assured hold. Combined with the camera’s best-in-class image stabilization, it provides reassuring support for handheld image making.

Mode Dial

GFX100S II uses a familiar mode dial to access exposure options quickly. In addition to PASM settings, the dial includes six custom positions where bespoke settings can be stored, then quickly and easily accessed for different subjects and creative scenarios.

Sub LCD Monitor

GFX100S II features a high-visibility 1.8-inch monochrome sub LCD monitor displaying essential information including shutter speed, aperture, ISO sensitivity, and exposure compensation. It also shows the remaining number of still images and recording time for video. The monitor can be customized to personal preferences.

Weather Resistant

Thanks to a camera body that is sealed in 60 different places, GFX100S II can easily shrug off challenging weather and environments*, for creativity without compromise. The body shell is also made from magnesium alloy, which is both rigid and robust.

  • *when used with a weather-resistant GF lens

Specifications

Model Name
FUJIFILM GFX100S II
Lens Mount
FUJIFILM G mount
Image Sensor
43.8mm×32.9mm GFX 102MP CMOS II with primary color filter
Number of effective pixels
102 million pixels
Sensor Cleaning System
Ultra Sonic Vibration
Image Processing Engine
X-Processor 5
Sensor Cleaning System
Ultra Sonic Vibration
Storage media
SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
SSD (-2TB)
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still image
DCF
Compliant with Design rule for Camera File system (DCF2.0)
JPEG
Exif Ver.2.32
HEIF
4:2:2 10bit
RAW
14bit / 16bit RAW (RAF original format)
TIFF
8bit / 16bit RGB (In-camera Raw Conversion Only)
Notes
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels
[L]
43: 11648 x 8736
32: 11648 x 7768
169: 11648 x 6552
11: 8736 x 8736
6524: 11648 x 4304
54: 10928 x 8736
76: 10192 x 8736
[M]
43: 8256 x 6192
32: 8256 x 5504
169: 8256 x 4640
11: 6192 x 6192
6524: 8256 x 3048
54: 7744 x 6192
76: 7232 x 6192
[S]
43: 4000 x 3000
32: 4000 x 2664
169: 4000 x 2248
11: 2992 x 2992
6524: 4000 x 1480
54: 3744 x 3000
76: 3504 x 3000
Sensitivity
Still Image
Standard Output
AUTO1
AUTO2
AUTO3
ISO80~12800 (1/3 step)
Extended Output
ISO40
ISO25600
ISO51200
ISO102400
Movie
Standard Output
AUTO
ISO100~12800 (1/3 step)
Extended Output
ISO25600
Exposure control
TTL 256-zone metering
Multi
Spot
Average
Center Weighted
Exposure mode
P (Program AE)
A (Aperture Priority AE)
S (Shutter Speed Priority AE)
M (Manual Exposure)
Exposure compensation
Still
-5.0EV~+5.0EV 1/3EV step
Movie
-2.0EV~+2.0EV 1/3EV step
Image stabilizer
Mechanism
Image sensor shift mechanism with 5-axis compensation
Compensation Effect
8.0 stops
Digital Image Stabilization
Yes (movie mode only)
IS MODE BOOST
Yes (movie mode only)
Shutter type
Focal Plane Shutter
Shutter speed
Mechanical Shutter
P mode
30sec. to 1/4000sec.
A mode
30sec. to 1/4000sec.
S/M mode
60min. to 1/4000sec.
Bulb
up to 60min.
Electronic Shutter
P mode
30sec. to 1/16000sec.
A mode
30sec. to 1/16000sec.
S/M mode
60min. to 1/16000sec.
Bulb
up to 60min.
Notes
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic Shutter
P mode
30sec. to 1/16000sec.
A mode
30sec. to 1/16000sec.
S/M mode
60min. to 1/16000sec.
Bulb
up to 60min.
Notes
*Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
E-Front + Mechanical Shutter
P mode
30sec. to 1/4000sec.
E-Front + Mechanical + Electronic Shutter
P mode
30sec. to 1/16000sec.
Movie
4K/DCI4K
1/4000sec. to 1/8 sec.
FHD
1/4000sec. to 1/8 sec.
Notes
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized Shutter Speed For Flash
Mechanical shutter
1/125sec. or slower
Continuous shooting
CH
Electronic Shutter Approx. 4.1fps (35mm Format Mode ON)
JPEG
1000+ frames
Compressed RAW
1000+ frames
Lossless compressed RAW
96 frames
Uncompressed RAW
24 frames
Compressed RAW + JPEG
95 frames
Lossless compressed RAW + JPEG
51 frames
Uncompressed RAW + JPEG
15 frames
Electronic Shutter Approx. 3.0fps
JPEG
1000+ frames
Compressed RAW
508 frames
Lossless compressed RAW
45 frames
Uncompressed RAW
20 frames
Compressed RAW + JPEG
41 frames
Lossless compressed RAW + JPEG
29 frames
Uncompressed RAW + JPEG
16 frames
Electronic Shutter Approx. 7.0fps
JPEG
184 frames
Compressed RAW
30 frames
Lossless compressed RAW
19 frames
Uncompressed RAW
16 frames
Compressed RAW + JPEG
16 frames
Lossless compressed RAW + JPEG
14 frames
Uncompressed RAW + JPEG
12 frames
Electronic Shutter Approx. 5.0fps
JPEG
526 frames
Compressed RAW
46 frames
Lossless compressed RAW
22 frames
Uncompressed RAW
17 frames
Compressed RAW + JPEG
20 frames
Lossless compressed RAW + JPEG
16 frames
Uncompressed RAW + JPEG
12 frames
CL
Mechanical Shutter Approx. 2.0fps
JPEG
1000+ frames
Compressed RAW
1000+ frames
Lossless compressed RAW
337 frames
Uncompressed RAW
26 frames
Compressed RAW + JPEG
312 frames
Lossless compressed RAW + JPEG
42 frames
Uncompressed RAW + JPEG
20 frames
Notes
*Electronic Front Curtain Shutter support CL only.
*No. of recordable frames are calculated based on a cold start
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode
AE Bracketing
2 frames
3 frames
5 frames
7 frames
9 frames
Filmsimulation Bracketing
Any 3 types of film simulation selectable
Dynamic Range Bracketing
100%
200%
400%
ISO Sensitivity Bracketing
±1/3EV
±2/3EV
±1EV
White Balance Bracketing
±1
±2
±3
Focus Bracketing
AUTO
MANUAL
Multiple Exposure
Yes (Max. 9 frames)
Additive
Average
Bright
Dark
Pixel Shift Multi Shot
Yes
Focus
Mode
Single AF
Continuous AF
MF
Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
AF Frame Selection
Single point AF
13×9 / 25×17 (Changeable size of AF frame)
Zone AF
3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
All
Yes
Subject Detection
[“Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)”]
Flash
Shoe Mount Flash
Sync. Mode
1st Curtain
2nd Curtain
AUTO FP (HSS)
Flash Mode
TTL (TTL AUTO / STANDARD / SLOW SYNC. )
MANUAL
MULTI *When EF-X500 is set
OFF
Synchronized Terminal
Sync. Mode
1st Curtain
2nd Curtain
Flash Mode
MANUAL
Hot shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder
EVF
EVF
0.5 inch OLED Color Viewfinder
Approx. 5.76 million dots
Coverage of Viewing Area vs. Capturing Area
Approx. 100%
Eyepoint
Approx. 24mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment
-5~+3m-1
Magnification
0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View
approx. 40° (Horizontal angle of view: approx. 32° )
Built-In Eye Sensor
LCD monitor
3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio
4:3
Dots
Approx. 2.36 million dots
Touch Screen Mode
Shooting Mode
AF
Focus Area
OFF
Double Tap Setting (ON/OFF)
Touch Function Setting (ON/OFF)
EVF Touch Screen Area Setting
Playback Mode
Swipe
Pinch-in / Pinch-out
Double-tap
Drag
Sub LCD monitor
1.80 inch Monochrome LCD Monitor
Aspect Ratio
4:3
Dots
303×230-dot
Movie recording
File Format
MOV
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4
MPEG-4 AVC/H.264, AAC
Movie Compression
All Intra
DCI4K(17:9)
File size
4096 x 2160
Frame rate
29.97p
25p
24p
23.98p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
4K(16:9)
File size
3840 x 2160
Frame rate
29.97p
25p
24p
23.98p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9)
File size
2048 x 1080
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(16:9)
File size
1920 x 1080
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Film simulation mode
20 modes
PROVIA/Standard
Velvia/Vivid
ASTIA/Soft
Classic Chrome
REALA ACE
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
Monochromatic Color
Yes
Grain Effect
Roughness
STRONG, WEAK, OFF
Size
LARGE, SMALL
Color Chrome Effect
STRONG, WEAK, OFF
Color chrome Blue
STRONG, WEAK, OFF
Smooth Skin Effect
STRONG, WEAK, OFF
Dynamic range setting
Still
Still
AUTO / 100? / 200? / 400??
ISO restriction
DR100%: No limit?DR200%: ISO160 or more?DR400%: ISO320 or more
Movie
Movie
100? / 200? / 400??
ISO restriction
DR100%: No limit?DR200%: ISO200 or more?DR400%: ISO400 or more
White balance
Auto
White Priority
Auto
Ambience Priority
Custom
Custom1 – 3
Color Temperature Selection
2500K~10000K
Preset
Daylight
Shade
Fluorescent Light-1
Fluorescent Light-2
Fluorescent Light-3
Incandescent Light
Underwater
Clarity setting
±5 steps
Self-timer
Still
10sec.
2sec.
Movie
10sec.
5sec.
3sec.
Interval timer shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitter
Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption
WPA/WPA2 mixed mode, WPA3
Access Mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency)
2402?2480MHz
Terminal
Digital Interface
USB Type-C (USB3.2 Gen2x1)
HDMI Output
HDMI Micro connector (Type D)
Others
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power supply
NP-W235 Li-ion battery (included)
Battery Life For Still Images
Normal Mode
Approx. 530 frames
Notes
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual Battery Life Of Movie Capture
4K
Approx. 80min. (29.97p)
Full HD
Approx. 70min. (59.94p)
Notes
*Face detection is set to OFF
Continuance Battery Life Of Movie Capture
4K
Approx. 120min. (29.97p)
Full HD
Approx. 120min. (59.94p)
Notes
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions
Width
150.0mm
Height
104.2mm
Depth
87.2mm
(Minimum Depth)
44.0mm
Weight
Including Battery And Memory Card
Approx. 883g
Excluding Battery And Memory Card
Approx. 802g
Operation Environment
Operating Temperature
-10?~+40?
Operating Humidity
10%~80% (no condensation)
Accessories included
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Memory card slot cover
Cable protector
  • *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
  • *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

Movie Specification

Media Rec (SSD / SD memory card)

Resolution/AspectSizeFrame RateFile Format/CompressionBit Rate*2Bit DepthHDMI Outupt
Resolution(Frame Rate)/Sampling/Bit Depth
Crop Magnification
DIS ONDIS OFF
DCI4K
17:9

4K
16:9
4096 x 2160

3840 x 2160
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*11877Mbps(59.94p)*310bitDCI4K/4K 4:2:2 10bit1.0x
ProRes 422 MOV*11254Mbps(59.94p)*3
ProRes 422 LT MOV*1870Mbps(59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x1.0x
H.264 All-Intra 4:2:0 MOV360Mbps8bitDCI4K/4K 4:2:2 8bit1.1x1.0x
H.264 Long GOP 4:2:0 MOV
H.264 Long GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x1.0x
FHD
17:9
16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1469Mbps(FHD16:9 59.94p)*310bitFHD 4:2:2 10bit*51.0x
ProRes 422 MOV*1314Mbps(FHD16:9 59.94p)*3
ProRes 422 LT MOV*1218Mbps(FHD16:9 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x1.0x
H.264 All-Intra 4:2:0 MOV360Mbps8bitFHD 4:2:2 8bit*51.1x1.0x
H.264 Long GOP 4:2:0 MOV
H.264 Long GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x1.0x

HDMI Output

Resolution/AspectSizeFrame RateHDMI Outupt
Resolution/Sampling/Bit Depth
Crop Magnification
DIS ONDIS OFF
DCI4K
17:9

4K
16:9
4096 x 2160

3840 x 2160
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit1.1x1.0x
FHD
17:9
16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit*51.1x1.0x

HDMI RAW Output

Resolution/AspectSizeFrame RateBit DepthCrop Magnification
DIS ONDIS OFF
4K
16:9
3840 x 216029.97p
25.00p
24.00p
23.98p
12bit1.0x
  • *1 ProRes codec can be recorded to only SSD
  • *2 Bit rate will be changed depend on the subject
  • *3 Bit rate for ProRes codec can not be selected
  • *4 The resolution from HDMI output is different from selected setting
  • *5 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band.
  • *6 The frame rate from HDMI output is different from selected setting
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