Canon EOS R5 C Mirrorless Cinema Camera
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Canon

Canon EOS R5 C Mirrorless Cinema Camera

Rp 83.999.000   Rp 81.999.000 Warranty: Canon Datascrip 2 Tahun
Promo :
  • Discount Rp 2.000.000
  • Promo PWP Rp 500.000 for Canon Mount Adapter EF-EOS R (Promo Canon Rp 491.000 + Diskon Rp 9.000)

Periode :
01 - 31 Juli 2022

Specification :

  • Two Cameras in One Body: Photo + Cinema
  • 45MP Stills, Full-Frame 8K CMOS Sensor
  • Photo/Video Switch Changes Settings Menu
  • JPEG/C-RAW, 12-Bit Cinema RAW Light
  • Dual Pixel CMOS AF with Eye Detection
  • CFexpress Type-B and SD UHS-II Slots
  • Dual-Slot Record, Unlimited Record Time
  • Timecode DIN Port, Multi-Function Shoe
  • 4-Channel Audio Record with XLR Adapter
  • 13 Reassignable Buttons




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Included : 

1x Camera

1x Battery LP-E6NH

1x Charger LC-E6

1x Neck strap

1x USB-C Cable

1x Cable Protector

1x Manual Book

1x Kartu Garansi Resmi

Ready for Anything

For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.

The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.

Common Features & Technology as the EOS R5

Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.
  • Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps
  • Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects
  • With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF
  • For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles
  • Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images
internal-cinema-raw-light-up-to-8k-60p

Video Control for the Dedicated Video Professional

As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During "photo" operation, menus are nearly the same as they are on the EOS R5 camera.

Ergonomic EOS Design

The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.
common-features-technology-eos-r5

CMOS Sensor and DIGIC X Processor

The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.
supports-8K-60P-Internal-raw- recording

8K60 RAW Recording

Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.

The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.
Note:
Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.
supports-8k-hdr-recording-hlg-pq-01

Different File Formats and Simultaneous Recording

Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.
internal-cooling-fan-enables-non-stop-8k-60p recording

Internal Cooling Fan Enables Nonstop 8K60 Recording

The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.
expanded-interface-for-professional-needs

Expanded Interface for Professional Needs

The EOS R5 C camera provides a timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.

Multi-Function Shoe for Audio Recording

Canon's multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.

Multiple Power Options

The addition of Cinema RAW Light recording at higher resolutions and frame rates demands additional power for full lens functionality. In full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light recording, standard LP-E6NH, LP-E6, or LP-E6N battery packs will not be able to power the electronics of RF lenses or EF lenses attached via an adapter. You can use purely mechanical lenses without issue at these settings.

To gain full electronic lens functionality with all Cinema RAW Light resolutions and frame rates, you can use utilize the CA-946 power adapter with the new DR-E6C DC coupler for mains or pro D-Tap battery power sources, or you can use a power bank such as the Anker PowerCode 26800mAh PD or omnicharge Omni Mobile 25600mAh.

13 Full-Featured Assignable Buttons

The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.
4k-and-2k-oversampling

4K and 2K Oversampling

The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, "jaggies", and noise.
up-to-4k-120p-slow-fast-motion-recording-mode-4-2-2-10-bit

Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit

The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.

Simultaneous Audio Recording Enabled with HFR

Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.

Canon Log 3 Expands Expressive Possibilities

The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.

Enhanced Image Stabilization

Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.

Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow

The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.
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Dual Pixel CMOS AF with iTR AF X

Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.
  • Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.
  • The camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.
  • It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
  • Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement.
  • Users can leave focusing to the camera and concentrate on their camera work.

 

Still Imaging Features

High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor.

Still-imaging features and operation are nearly identical to Canon's EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.

DIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400

Delivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).

High-Speed Continuous Shooting

  • High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter
  • High-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings
  • A high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses

Same Subject Detection and Tracking AF as the Canon EOS R5

The same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.
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Head and Eye Detection

Select "People" as the EOS R5 C's "subjects to detect," and like the EOS R5, it can focus on a detected person's eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.

Animal Detection

For still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.

Vehicle Detection

Carried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C's AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.

AF Area Flexibility

Select the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.

AF Area Coverage of Approx. 100% x 100% for Still Images

The EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.

EV -6 Low-Light Autofocus

Great for night photography or in very low-light settings, the EOS R5 C camera's brilliant AF can operate for still images in light as dim as a light rating of EV -6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f/22 - meaning AF is still possible with the RF 800mm f/11 IS STM + RF 2x Extender.

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    Full Frame 8K sensor

    Capture professional 8K, 30fps footage (60fps with external power supply)

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    45 Megapixel images

    Shoot high-resolution 20fps (electronic) and 12fps (mechanical) images

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    Long duration recording

    Record 8K footage without limitations with a new active cooling system

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    Dual Pixel CMOS AF

    Reliable auto focus performance featuring Eye AF and EOS iTR AF X

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    Cinema RAW Light

    Internally record professional 12-bit RAW footage up to 2.6Gbps

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    XF-AVC and MP4

    Options for 4:2:2 10-bit XF-AVC 810Mbps recording and HEVC 540Mbps

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    HDR recording formats

    Produce high dynamic range content with Canon Log 3, PQ and HLG capture

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    Cinema EOS functions

    Waveform Monitor, False Colour, Timecode and more

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    Robust and compact design

    Compact and lightweight (680g) body with dust and moisture resistance

Specifications in detail

ImageSensor

  • Sensor
    3:2 Full Frame CMOS sensor (36 x 24mm)
  • System
    RGB primary colour filter (Bayer array)
  • Sensor Modes
    Full Frame (8K) / Super 35mm (Crop) / Super 16mm (Crop)
  • Total Pixels
    Approx. 47.10 megapixels
  • Effective Pixels
    Video Mode:
    Approx. 35.40 megapixels (8192 x 4320): When resolution is 8192 x 4320, 4096 x 2160, or 2048 x 1080
    Approx. 33.20 megapixels (7680 x 4320): When resolution is 7680 x 4320, 3840 x 2160, or 1920 x 1080

    Photo Mode:
    Approx. 45 megapixels (8192 x 5464)
  • Effective Sensor Screen Size
    36.0 x 19.0 mm (40.7 mm on the diagonal): When resolution is 8192 x 4320, 4096 x 2160 or 2048 x 1080
    33.8 x 19.0 mm (38.8 mm on the diagonal): When resolution is 7680 x 4320, 3840 x 2160, or 1920 x 1080
  • Dynamic Range
    Canon Log 3: 1600% / 14 stops (at ISO 800)
    Wide DR: 800% (at ISO 400)

Image Processor

  • Type
    DIGIC X

Lens

  • Lens Mount
    Canon RF mount
    Compatible lenses: All RF lenses and EF lenses
    (includes EF-S lenses/EF cinema lenses)
  • Lens Magnification Factor
    Full Frame:
    Actual focal length x approx. 1.0

    Super 35mm (Crop):
    5952x3140, 4096x2160 or 2048x1080 resolution: Actual focal length x approx. 1.460
    3840x2160, 1920x1080 or 1270x720 resolution: Actual focal length x approx. 1.534

    Super 16mm (Crop):
    In 2976x1570 or 2048x1080 resolution: Actual focal length x approx. 2.920
    In 1920x1080 or 1270x720 resolution: Actual focal length x approx. 3.069
  • Peripheral Illumination Correction
    Yes
  • Chromatic Aberration Correction
    Yes
  • Distortion Correction
    Yes, RF Mount lenses only
  • Diffraction Correction
    Yes
  • ND Filter
    No
  • Focus Control
    Via lens, Browser Remote, Camera Connect or EOS Utility
  • Iris Control (EF Mount Lenses)
    1/2-stop, 1/3-stop or FINE control
  • Cooke/I Technology Support
    No
  • Anamorphic Lens Support
    Yes, x2.0 / x1.8 / x1.3
  • Image Stabilization System
    Yes, 5-axis Electronic IS. Coordinates with supported lenses featuring optical-IS for optimal performance

Recording

  • Internal Recording Media
    1x CFexpress card (CFexpress 2.0 Type B)
    1x SD card (SD/SDHC/SDXC)
    (SD Card recording available at bitrates up to 650 Mbps)
  • Recording Time1
    Cinema RAW Light LT: 8192 x 4320 1070 Mbps: 63 Mins
    Cinema RAW Light ST: 8192 x 4320: 1650 Mbps 41 Mins
    Cinema RAW Light HQ: 5952 x 3140: 1770 Mbps 38 Mins
    XF-AVC / MXF: 4096x2160: 410 Mbps 156 Mins
    MP4 (HEVC): 4096x2160: 225 Mbps 285 Mins
    MP4 (H.264): 4096x2160: 150 Mbps 428 Mins
  • Recording Formats
    Video Mode:
    Cinema RAW Light (CRM): 12-bit RAW
    XF-AVC (MXF):4:2:2 10-bit (ALL-I or Long GOP)
    HEVC (MP4): 4:2:2 10-bit / 4:2:0 10-bit
    H.264 (MP4): 4:2:0 8-bit

    Photo Mode:
    RAW / C-RAW / Dual Pixel RAW2 / HEIF3 / JPEG
  • Relay Recording
    Yes
  • Double Slot (Simultaneous) Recording
    Yes
  • Simultaneous Recording in Multiple Formats
    Yes, in Dual Recording Mode
    Options Available: [CRL / XF-AVC / MP4] [All-I / Long GOP] [4:2:2 10-bit / 4:2:0 10-bit / 4:2:0 8-bit] [8K / 4K / 2K / FHD]
  • System Frequency / Frame Rates
    59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
    50.00Hz mode (50.00P / 50.00i / 25.00P)
    24.00 Hz mode (24.00P)
  • Cinema RAW Light Bit Rate/Bit Depth (PAL)
    12-bit Cinema RAW Light LT:4
    8192 x 4320 / 50P / 2140 Mbps: approx. 31 Mins
    8192 x 4320 / 25P / 1070 Mbps: approx. 63 Mins
    5952 x 3140 / 50P / 1140 Mbps: approx. 59 Mins
    5952 x 3140 / 25P / 556 Mbps: approx. 122 Mins
    2976 x 1570 / 50P / 287 Mbps: approx. 237 Mins
    2976 x 1570 / 25P / 144 Mbps: approx. 474 Mins

    12-bit Cinema RAW Light ST:
    8192 x 4320 / 25P / 1650 Mbps: approx. 41 Mins
    5952 x 3140 / 50P / 1750 Mbps: approx. 39 Mins
    5952 x 3140 / 25P / 871 Mbps: approx. 78 Mins
    2976 x 1570 / 50P / 441 Mbps: approx. 154 Mins
    2976 x 1570 / 25P / 221 Mbps: approx. 308 Mins

    12-bit Cinema RAW Light HQ:
    5952 x 3140 / 25P / 1770 Mbps: approx. 38 Mins
    2976 x 1570 / 50P / 896 Mbps: approx. 76 Mins
    2976 x 1570 / 25P / 448 Mbps: approx. 152 Mins
  • XF-AVC Recording Bit Rate / Sampling (PAL)
    4:2:2 10-bit (Intra-frame):5
    4096x2160 or 3840x2160 / 50P / 810 Mbps: approx. 79 Mins
    4096x2160 or 3840x2160 / 25P / 410 Mbps: approx. 156 Mins
    2048x1080 or 1920x1080 / 50P or 50i / 310 Mbps: approx. 207 Mins
    2048x1080 or 1920x1080 / 25P / 160 Mbps: approx. 401 Mins

    4:2:2 10-bit (Long GOP):
    4096x2160 or 3840x2160 / 50P / 260 Mbps: approx. 246 Mins
    4096x2160 or 3840x2160 / 25P / 160 Mbps: approx. 401 Mins
    2048x1080 or 1920x1080 / 50P or 50i / 50 Mbps: approx. 1284 Mins
    2048x1080 or 1920x1080 / 25P / 50 Mbps: approx. 1284 Mins
  • MP4 Recording Bit Rate / Sampling (PAL)
    HEVC 4:2:2 10-bit (Long GOP):6
    8192x4320 or 7680x4320 / 25P / 540 Mbps: approx. 118 Mins
    4096x2160 or 3840x2160 / 50P / 225 Mbps: approx. 285 Mins
    4096x2160 or 3840x2160 / 25P / 135 Mbps: approx. 475 Mins
    2048x1080 or 1920x1080 / 50P or 25P / 50 Mbps: approx. 1284 Mins

    HEVC 4:2:0 10-bit (Long GOP):
    8192x4320 or 7680x4320 / 25P / 400 Mbps: approx. 160 Mins
    4096x2160 or 3840x2160 / 50P / 170 Mbps: approx. 377 Mins
    4096x2160 or 3840x2160 / 25P / 100 Mbps: approx. 642 Mins
    2048x1080 or 1920x1080 / 50P or 25P / 35 Mbps: approx. 1834 Mins

    H.264 4:2:0 8-bit (Long GOP):
    4096x2160 or 3840x2160 / 50P or 25P / 150 Mbps: approx. 428 Mins
    2048x1080 or 1920x1080 / 50P or 25P / 35 Mbps: approx. 1834 Mins
  • Proxy Recording Bit Rate / Sampling (PAL)
    XF-AVC 4:2:0 8-bit (Long GOP)
    2048 X 1080 or 1920 x 1080 / 50P / 35 Mbps
    2048 X 1080 or 1920 x 1080 / 25P / 24 Mbps

    H.264 MP4 4:2:0 8-bit (Long GOP)
    2048 X 1080 or 1920 x 1080 / 50P or 25P / 9 Mbps
  • Slow/Fast Motion
    8K recording up to 30FPS (60FPS with external power)
    4K / FHD recording: up to 120FPS
    Audio recording and auto-focus options available.
  • Interval Record
    Yes
  • Frame Record
    Yes
  • Pre Record (Cache Record)
    Yes, 3 seconds (XF-AVC or MP4 recording only)
  • Scan Reverse
    Yes
  • Photo Recording Size
    3:2 ratio:
    (L, RAW, C-RAW) 8192x5464, (M1) 5808x3872, (S1) 4176x2784, (S2) 2400x1600
    1.6x (crop):
    (L) 5088x3392, (S2) 2400x1600
    4:3 ratio:
    (L) 7280x5464, (M1) 5152x3872, (S1) 3712x2784, (S2) 2112x1600
    16:9 ratio:
    (L) 8192x4608, (M1) 5808x3264, (S1) 4176x2344, (S2) 2400x1344
    1:1 ratio:
    (L) 5456x5456, (M1) 3872x3872, (S1) 2784x2784, (S2) 1600x1600

System

  • Display Type
    3.2 inch 3:2 LCD Touch Panel
  • Display Resolution
    2.1 million dots
  • Display Touch Screen Functions
    Focus point selection, Shooting setting adjust, Start/Stop recording (activated via Menu)
  • OSD for Vertical Shooting
    Yes, 90-degree rotation
  • Wave Form Monitor
    Yes. LCD, EVF or HDMI
  • False Colour Display (Exposure Indication)
    Yes. LCD, EVF or HDMI (Use of viewing LUT will affect false colour display)
  • Colour Bars
    SMPTE, EBU and ARIB
  • Peaking
    Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
  • Zebra
    Level 1; Level 2; Both
    Output via HDMI: Yes
  • Markers
    On/Off selectable: centre, horizontal, grid, aspect, safety zone, rectangular and user marker. Colour selectable, yellow, blue, green, red, black, grey or white.

EVF

  • Built-In EVF
    0.5-inch OLED colour EVF, 5.76 million dots
  • Optional EVF Accessory
    N/A

Inputs / Outputs

  • Audio In
    1x 3.5mm mic input
    1x Built-in mono microphone
    (XLR input available via TASCAM CA-XLR2d-C accessory)
  • Headphone Output
    1x 3.5 mm stereo output
  • Video Monitor Output
    No
  • HDMI
    1x micro-HDMI (8K RAW output available)7
  • USB
    1x USB-C (3.2 Gen1) for power, charging and communication (UVC Video output / Content Transfer Mobile App)
  • SDI Output
    No
  • Time Code
    1x DIN 1.0/2.3 (Input/Output)
  • Genlock
    No
  • Sync
    1x Flash Sync
  • DC Output
    No
  • DC Input
    Yes, via DR-E6C DC Coupler
  • Remote Control Terminal
    1x N3-type terminal
  • Wireless Control Terminal
    Available via WFT-R10 Accessory
  • Lens Terminal
    No
  • Ethernet Terminal
    Available via WFT-R10 Accessory
  • IP Streaming / FTP
    Yes, available via WFT-R10 Accessory
    Protocol: UDP, RTP and RTP+FEC
  • User LUT Input
    Yes, in-built LUTs/View Assist available for LCD/EVF/HDMI Monitoring.
    Custom LUTs can be applied directly to internal recordings via Look File function (compatible with 17 or 33 grid .cube files).
  • Video Connector
    No
  • Default Function Button Settings
    1. One-Shot AF
    2. Magnification
    3. DISP
    4. Menu
    5. Push Auto Iris
    6. AF lock
    7. Assignable Button Menu
    8. Display Panel Info
    9. Key Lock
    10. (Unassigned)
    11. FUNC
    12. (Unassigned)
    13. Set White Balance
  • User Assignable Buttons
    13 Assignable buttons (numbered) on camera body. In excess of 80 options via the menu

Miscellaneous

  • Tally Lamp
    Yes
  • Custom Dial
    3x Electronic Dials + Multi-controller

Exposure

  • Exposure Metering
    Video Mode:
    Standard, Backlight, Spotlight

    Photo Mode:
    Evaluative, Partial, Spot, Centre Spot, AF-point Linked, Centre weighted average
  • Exposure Compensation
    Yes
  • Auto Exposure Mode
    Yes (Video mode: Auto Iris / ISO)
  • Push Auto Iris
    Yes
  • Exposure Lock
    Yes
  • Auto Gain Control Setting
    Yes
  • ISO Sensitivity
    Video Mode:
    ISO 100 to ISO 25,600 / 102,400* (increments of 1 or 1/3 stop)
    * When the sensitivity is expanded

    Photo Mode:
    ISO 100 to ISO 51,200 / 102,400* (increments of 1 or 1/3 stop)
    * When the sensitivity is expanded
  • Auto Focus System
    Video Mode:
    Dual Pixel CMOS AF with Eye AF and EOS iTR AF X

    Photo Mode:
    Dual Pixel CMOS AF II
  • AF Frame Sizes
    Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range
    Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range
    Whole Area; size equivalent to approx. 80% of sensor
  • Auto Focus Modes
    One-Shot AF, Continuous AF, Continuous AF: Only Near Focus
  • Face Detection AF
    Face Priority, Face Only, Eye AF
  • Focus Guide
    For manual focus assist with compatible Canon RF mount, EF mount, Cine Servo Lenses
  • Gain Setting
    -6 dB to 42 dB / 54 dB* (Normal or Fine increments)
    * When the sensitivity is expanded

Shutter

  • Control Modes
    Video Mode:
    Off; Speed; Angle; Clear Scan; Slow

    Photo Mode:
    Mechanical, Elec. 1st-curtain, Electronic
  • Shutter Speed
    Video Mode:
    1 sec to 1/2000 depending on frame rate and Shutter Control Mode, 39 setting options

    Photo Mode:
    30-1/8000 sec (1/2 or 1/3 stop increments)
    Bulb (Total shutter speed range. Available range varies by shooting mode)
  • Shutter Angle
    11.25º to 360º depending on frame rate
  • Slow Shutter (SLS)
    1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
  • Clear Scan
    24.00 Hz8 to 250.40 Hz

Custom Picture

  • Stored Configurations
    Video Mode:
    C1: BT.709 Wide DR (BT.709 Gamut)
    C2: Canon Log 3 (Cinema Gamut)
    C3: PQ (BT.2020 Gamut)
    C4: HLG (BT.2020 Gamut)v
    C5. BT.709 Standard (BT.709 Gamut)
    C6. EOS Standard (BT.709 Gamut)
    C7. EOS Neutral (BT.709 Gamut)
    USER8 to USER20 (Wide DR / BT.709 Gamut)

    Photo Mode:
    Auto / Standard / Portrait / Landscape / Fine Detail / Neutral / Faithful / Monochrome / User Defined (x3)
  • Colour Matrix
    CUSTOM PICTURE: Colour Matrix Phase, Gain and RGB adjustment, in tandem with Gamma selection
  • Master Pedestal
    -50 to +50
  • Master Black
    Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50
  • Black Gamma
    Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50
  • Low Key Saturation
    Adjustable: -50 to +50
  • Knee
    Point -50 to +109, Slope -35 to +50, Saturation -10 to +10
  • Sharpness
    Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness
  • Noise Reduction
    Off, On - Three Options: Automatic (ON/OFF) / Spatial Filter (1-12) / Frame Correlation (1-3)
  • Skin Detail
    Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps
  • Selective Noise Reduction
    Off, Low, Middle, High / Hue, Chroma, Area, Luminance.
  • Colour Matrix (User Settings)
    Phase, Gain and RGB adjustment, in tandem with Gamma selection
  • White Balance
    AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B)
  • Colour Correction
    Area selection / area revision of two areas
  • Setup Level
    -50 to +50 On/Off

Wi-Fi & GPS Specifications

  • Wi-Fi (Optional Third Party Accessory)
    Video Mode:
    Requires WFT-R10 Accessory
    Supports Browser Remote / Content Transfer Mobile / IP Streaming

    Photo Mode:
    Built-in Wireless LAN (IEEE802.11a/b/g/n/ac) (5Ghz /2.4 GHz), with Bluetooth 5.0 support
    Supports EOS Utility / Camera Connect / image.canon
  • GPS Information (Optional Accessory)
    Requires GP-E2 Accessory
    Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)

White Balance

  • Auto
    Yes
  • Preset
    Video Mode:
    Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B

    Photo Mode:
    AWB, Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash, Kelvin, Custom
  • White Balance Shift
    Video Mode:
    -9 to +9 (Daylight and Tungsten only)

    Photo Mode:
    -9 to +9 (Blue/Amber)
    -9 to +9 (Magenta/Green)

Black Balance

  • Black Balance Adjustment
    Yes

Time Code

  • Count Up System
    Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)
  • Start Value Setting
    “00:00:00:00”, Set/Reset selectable

Audio

  • Recording Format
    Cinema RAW Light or XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels)
    MP4: MPEG-2 AAC LC (16-bit, 48 kHz, 2-channel) / Linear PCM (16-bit, 48 kHz, 4-channel)

Accessories

  • Supplied
    Battery Pack LP-E6NH
    Battery Charger LC-E6
    Shoulder Strap
    USB-C Cable
    Cable Protector
    AC Cable
  • Optional
    Canon Battery Pack LP-E6NH/LP-E6N//LP-E6
    Canon Battery Charger LC-E6
    Canon Battery Grip BG-R10
    Canon DC Coupler DR-E6C
    Canon AC Adapter CA-946
    Canon USB Power Adapter PD-E1
    Canon Wireless File Transmitter WFT-R10
    Canon Interface Cable IFC-100U/IFC-400U
    Canon Shoulder Strap SS-1200
    Canon GPS Receiver GP-E2
    Canon RF lenses, EF lenses, EF cinema lenses,
    and accessories designed for these lenses
    Canon Mount Adapter EF-EOS R
    Canon Control Ring Mount Adapter EF-EOS R
    Canon Drop-In Filter Mount Adapter EF-EOS R
    (w/ drop-in variable ND filter A and circular polarizing filter A)
    Canon Mount Adapter EF-EOS R 0.71x
    Canon Extender RF1.4x
    Canon Extender RF2x
    Canon Remote Controller RC-6
    Canon Wireless Remote Controller BR-E1
    Canon Remote Switch RS-80N3
    Canon Timer Remote Controller TC-80N3
    Canon Directional Stereo Microphone DM-E1 / DM-E1D
    Canon Stereo Microphone DM-E100
  • Third Party Accessories
    TASCAM CA-XLR2d-C XLR Adapter

Power Source

  • Power Supply (Battery)
    LP-E6NH Battery Pack (Supplied) / LP-E6N and LP-E6 (Compatible)
  • Power supply (Mains)
    USB-C Power Adapter PD-E1
    DC Coupler DR-E6C
    AC Adapter CA-946
  • Power Consumption (Approx.)
    8K RAW 25P (10.5W)
    8K MP4 25P (11.2W)
    4K HEVC 50P (12.9W)
    4K XF-AVC 50P (13.3W)
  • Recording Time (Approx.)
    With supplied LP-E6NH battery pack:
    8K RAW 25P: 50 Mins
    8K MP4 25P: 45 Mins
    4K HEVC 50P: 40 Mins
    4K XF-AVC 50P: 35 Mins

Physical Specifications

  • Dimensions (Main Body Only)
    approx. 142 x 101 x 111 mm
  • Weight (Body Only)
    appox. 680g
  • Weight (Accessories)
    approx. 770g (LP-E6NH, CFexpress Card, SD Card)
  • Operating Temperature Range
    approx. 0 to 40°C, (85% relative humidity)
    approx. -5 to 45°C, (60% relative humidity)
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